nike cost of capital - 1980 Words

UV0010 NIKE, INC.: COST OF CAPITAL On July 5, 2001, Kimi Ford, a portfolio manager at NorthPoint Group, a mutual-fund management firm, pored over analysts’ write-ups of Nike, Inc., the athletic-shoe manufacturer. Nike’s share price had declined significantly from the beginning of the year. Ford was considering buying some shares for the fund she managed, the NorthPoint Large-Cap Fund, which invested mostly in Fortune 500 companies, with an emphasis on value investing. Its top holdings included ExxonMobil, General Motors, McDonald’s, 3M, and other large-cap, generally old-economy stocks. While the stock market had declined over the last 18 months, the NorthPoint Large-Cap Fund had performed extremely well. In 2000, the fund earned a return†¦show more content†¦However, she had done a quick sensitivity analysis that revealed Nike was undervalued at discount rates below 11.17%. Because she was about to go into a meeting, she asked her new assistant, Joanna Cohen, to estimate Nike’s cost of capital. Cohen immediately gathered all the data she thought she might need (Exhibits 1 through 4) and began to work on her analysis. At the end of the day, Cohen submitted her cost-of-capital estimate and a memo (Exhibit 5) explaining her assumptions to Ford. This document is authorized for use only by shen tian (kevintianshen@gmail.com). Copying or posting is an infringement of copyright. Please contact customerservice@harvardbusiness.org or 800-988-0886 for additional copies. UVA-F-1353 -3Exhibit 1 NIKE, INC.: COST OF CAPITAL Consolidated Income Statements Year Ended May 31 1995 (in millions of dollars except per-share data) 1996 1997 1998 1999 2000 2001 Revenues Cost of goods sold Gross profit Selling and administrative Operating income Interest expense Other expense, net Restructuring charge, net Income before income taxes Income taxes Net income $ 4,760.8 $ 6,470.6 2,865.3 3,906.7 1,895.6 2,563.9 1,209.8 1,588.6 685.8 975.3 24.2 39.5 11.7 36.7 649.9 899.1 250.2 345.9 $ 399.7 $ 553.2 $ 9,186.5 $ 9,553.1 $ 8,776.9 $ 8,995.1 $ 9,488.8 5,503.0 6,065.5 5,493.5 5,403.8 5,784.9 3,683.5 3,487.6 3,283.4 3,591.3 3,703.9 2,303.7 2,623.8Show MoreRelatedNike Cost of Capital711 Words   |  3 PagesNIKE, INC. COST OF CAPITAL Context: Estimating Cost of Equity with different methods. Compute WACC Nike’s current price per share= $ 42.09 Question: Is it undervalued or overvalued to make buy /sell decision? Forecasts for Cash flows, Dividend growth, EPS estimates for NIKE are given. Interest rate #’s, Betas, Book values on debt and equity are given. Also historical performance #s are given. At 12% WACC Nike is overvalued and hence sell decision; At 11.17% correct valuation; WACCRead MoreNike Cost Of Capital1791 Words   |  8 PagesGraduate School of Business Administration University Version 2.0 of Virginia UVA-F-1353 Version 2.0 Nike, Inc.: Cost of Capital On July 5, 2001, Kimi Ford, a portfolio manager at NorthPoint Group, a mutual fund management firm, pored over analyst write-ups of Nike, Inc., the athletic shoe manufacturer. Nike’s share price had declined significantly from the start of the year. Kimi was considering buying some shares for the fund she managed, the NorthPoint Large-Cap Fund, which invested mostly inRead MoreNike Inc. - Cost of Capital1368 Words   |  6 Pagesit so important to estimate a firms cost of capital? The WACC (weighted average cost of capital) is a percentage figure resulting from a calculation method by which the adequate cost of capital of a firm is expressed. It considers the composition of a company’s funding, be it debt or equity. A corporation whose source of funding is equity by 100 percent will have a WACC equal to the cost of equity. By contrast, a levered company will have to reflect the cost of debt as well. The WACC takes theirRead MoreNike Cost of Capital Case2415 Words   |  10 Pagesmanagement firm. In July 2001, Ford considered buying shares of Nike, Inc., the well-known athletic shoe manufacturer. It would be prudent of Ford to base her assessment on Nike’s financial reports for 2001. Around the same time, Nike held an analysts’ meeting to disclose those financial results. They also addressed ways to revitalize the company, since share price was beginning to decline and revenues had plateaued at around $9 billion. Although Nike projected a rosy future, many analysts had mixed reactionsRead MoreNike Inc Cost of Capital2974 Words   |  12 PagesIntroduction Kimi Ford is a portfolio manager at NorthPoint Group, a mutual-fund management firm. She is evaluating Nike, Inc. (â€Å"Nike†) to potentially buy shares of their stock for the fund she manages, the NorthPoint Large-Cap Fund. This fund mostly invests in Fortune 500 companies, with an emphasis on value investing. This Fund has performed well over the last 18 months despite the decline in the stock market. Ford has done a significant amount of research through analysts’ reportsRead MoreEssay on Nike Cost of Capital Case1615 Words   |  7 PagesNIKE, INC.: COST OF CAPITAL On July 5, 2001, Kimi Ford, a portfolio manager at NorthPoint Group, a mutual-fund management firm, pored over analysts write-ups of Nike, Inc., the athletic-shoe manufacturer. Nikes share price had declined significantly from the beginning of the year. Ford was considering buying some shares for the fund she managed, the NorthPoint Large-Cap Fund, which invested mostly in Fortune 500 companies, with an emphasis on value investing. Its top holdings Read MoreEssay about Cost of Capital Nike974 Words   |  4 Pagesï » ¿Case Analysis of Nike, Inc.: Cost of Capital Apparently, the issue of Nike’s case is to control and check the calculation cost of capital done by Joanna Cohen who is the assistant of a portfolio manager at NorthPoint Group. But I am willing to tell you that it can be a complex case in which we can doubt about sensitivity analysis done by Kimi Ford (portfolio manager) because her assumptions such as Revenue Growth Rate, COGS / Sales,  S A / Sales, Current Assets / Sales, and Current LiabilityRead MoreCase 14 Nike: Cost of Capital Essay1143 Words   |  5 PagesNike, Inc.: Cost of Capital Case 14 A Case Brief Submitted to Submitted by In Partial Fulfillment of the Requirements for Date Submitted September 28, 2011 Summary This case highlights Kimi Ford, a portfolio manager with NorthPoint Group, a mutual-fund management firm. She managed the NorthPoint Large-Cap Fund, and in July of 2001, was looking at the possibility of taking a position in Nike for her fund. Nike stock had declined significantly over the previous year, and it appearedRead MoreNike Inc Cost of Capital Case Study917 Words   |  4 PagesNike Inc. Case Number 2 Nike Incorporated’s cost of capital is a vital element when addressing opportunities regarding top-line growth and operating performance. Weighted Average Costs of Capital (WACC) is an essential estimation that is needed in order to determine the amount of interest that will be paid for each additional dollar financed. This translates to be the minimum overall required rate of return that the firm will keep. We disagree with Johanna Cohen’s assessment of Nike due to twoRead MoreCase Analysis of Nike, Inc.: Cost of Capital731 Words   |  3 PagesApparently, the issue of Nike’s case is to control and check the calculation cost of capital done by Joanna Cohen who is the assistant of a portfolio manager at NorthPoint Group. But I am willing to tell you that it can be a complex case in which we can doubt about sensitivity analysis done by Kimi Ford (portfolio manager) too. Because her assumptions such as Revenue Growth Rate, COGS / Sales, S A / Sales, Current Assets / Sales, and Current Liability / Sales have been adopted from previous income

The Bible For All It s Worth By Gordon Fee Essay - 940 Words

The book â€Å"How to Read the Bible for All It’s Worth† by Gordon Fee is a very helpful book to help me to understand the Bible. The book talks about everything from the interpretation of God’s word to the translation to the new and old testaments. There are 13 chapters that all one by one add as you read to your knowledge on how to understand what the Lord’s word is saying. Chapter I: Introduction: The Need to Interpret To interpret the Bible, it is not about simply reading like it is just another book; it takes some common knowledge of the Bible to completely understand. A reader is also an interpreter. A reader can easily read into particular words, phrases, and different scriptures. This is called eisegesis. Eisegesis according to http://www.dictionary.com/browse/eisegesis is â€Å"an interpretation, especially of Scripture, that expresses the interpreter s own ideas, bias, or the like, rather than the meaning of the text.† In this chapter it is also stated that the scripture of the Bible is given in human words throughout history. Chapter II: The Basic Tool: A Good Translation The translations of the Bible are all essentially saying the same thing, but the full Bible is translated into over 500 different languages. Almost 3,000 languages have some form of God’s word; but the original version was written in Hebrew, Aramaic and Greek. But no matter the language it is written in, it still says the same things, still states the same messages and scriptures. ChapterShow MoreRelatedEssay about How to Read the Bible for All Its Worth2583 Words   |  11 Pages Gordon D. Fee and Douglas Stuart, authors of How to Read the Bible for All Its Worth, have written an easy to read book for those who want to learn more about what the Bible has to offer. The authors present distinct principles for interpreting different genres found in the Bible. The book has sold over a half a million copies and is one of the most popular books regarding biblical interpretation. Fee is a seminary professor of New Testament studies at Regent College. He has authored several NewRead MoreThe Christian Religion / Holy Bible And The Bible1751 Words   |  8 Pagespassing down cultural values, we too are able to learn from them and put such knowledge into a modern context. Particularly dealing with the Christian religion/holy bible that was forcibly spread throughout the world with colonialization, many stories interpreted from it produces various perspectives that seem to change as years pass, with bibles being revised/edited. Even translation from ancient languages into modern languages are not always perfect, so real misunderstandings will remain. However, asRead MoreSummary Of The Lord Is Salvation 1212 Words   |  5 Pagesrenamed him Yehoshu a (â€Å"The Lord is Salvation†) or as in North American cultures traditionally known as Joshua (Numbers 13:16, NRSV). Joshua is a great leader from the bible he really shows how being faithful to God will en d in complete success for you. I think it important to note, that just because he is a man in the bible and known as a great leader, Joshua was only human he let doubt settle in at times and wasn’t as some would say â€Å"super human† he had faults just like us and was not perfectRead MoreThe Exemplary Hope, Obedience and Care of Paul and Timothy as They Imitate Christ: AN EXEGESIS OF PHILIPPIANS 2:19-241624 Words   |  7 Pageshopeful and demonstrates his faith in The Lord (Phil. 2:24). Paul is not able to go to the Philippian brethren at the time of his writing. However, he sends Timothy, and also Epaphroditus, with a message that he hopes to be coming to them as well. This all pends upon the will of Christ, which Paul explicitly states he follows regardless of his own desires. EXEGESIS 19 á ¼ËœÃŽ »Ãâ‚¬ÃŽ ¯ÃŽ ¶Ãâ€° ÃŽ ´Ã¡ ½ ² á ¼ ÃŽ ½ ÃŽ ºÃâ€¦Ã ÃŽ ¯Ã¡ ¿ ³ á ¼ ¸ÃŽ ·ÃÆ'ÃŽ ¿Ã¡ ¿ ¦ ÃŽ ¤ÃŽ ¹ÃŽ ¼ÃÅ'ÃŽ ¸ÃŽ µÃŽ ¿ÃŽ ½ Ï„Î ±Ãâ€¡ÃŽ ­Ãâ€°Ãâ€š πΠ­ÃŽ ¼ÃË†ÃŽ ±ÃŽ ¹ á ½â€˜ÃŽ ¼Ã¡ ¿â€"ÃŽ ½, á ¼ µÃŽ ½ÃŽ ± ÃŽ ºÃ¡ ¼â‚¬ÃŽ ³Ã¡ ½ ¼ ÃŽ µÃ¡ ½ ÃË†Ãâ€¦Ãâ€¡Ã¡ ¿ ¶ ÃŽ ³ÃŽ ½ÃŽ ¿Ã¡ ½ ºÃâ€š Ï„á ½ ° πΠµÃ Ã¡ ½ ¶ á ½â€˜ÃŽ ¼Ã¡ ¿ ¶ÃŽ ½. 20 ÃŽ ¿Ã¡ ½ ÃŽ ´ÃŽ ­ÃŽ ½ÃŽ ± ÃŽ ³Ã¡ ½ °Ã  á ¼â€Ãâ€¡Ãâ€° á ¼ °ÃÆ'ÏÅ'ψυχÎ ¿ÃŽ ½ á ½â€¦ÃÆ'Ï„Î ¹Ãâ€š ÃŽ ³ÃŽ ½ÃŽ ·ÃÆ'ÃŽ ¯Ãâ€°Ãâ€šRead MoreThe Opening Scene Of The Book Acts Essay1704 Words   |  7 Pagesaddressing the Apostles. Before He ascended into heaven, He left His disciples with a commission: to be witnesses. In Acts 1:8, Jesus stated, â€Å"[Y]ou will receive power when the Holy Spirit has come on you, and you will be My witnesses in Jerusalem, in all Judea and Samaria, and to the ends of the earth.† Contextually, these last words of Jesus were remarkable to the immediate audience, an d His last words are remarkable to those who properly interpret Acts 1:8. The context of Acts 1:8, the interpretationRead MoreA Narrative Criticism of 1 Samuel 9:1-211934 Words   |  8 Pagesthese are used in the narrative of 1 Samuel 9:1-21 to which we will now turn our attention. Identified in the NRSV translation of the Bible as the narrative in which â€Å"Saul [is] chosen to be King† we find in this text the first story of Saul’s call to kingship and the circumstances around it . Throughout this narrative, the author, or perhaps more accurately, editor(s) , evokes a number of literary features to build a story and to portray the character of Saul. In this essay, we will focus on theRead MoreJesus Cleansing of the Temple: Review of Matthews Book3192 Words   |  13 Pagesrecorded in all four of the Gospels, this study will focus specifically on its rendering in Matthew, because when considered in the context of Matthews larger narrative, one can see how Jesus decision to cleanse the temple does not represent an aberration in either his character or theological message, but rather the natural culmination of Jesus life and works prior to that point, and demonstrates a kind of revolutionary, anti-authoritarian element of Jesus message of salvation that is all too oftenRead MoreTheo 610 : Biblical Theology Paper4542 Words   |  19 PagesSUMMARY†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦17 VII. BIBLIOGRAPHY 18 INTRODUCTION This paper focuses on the theological message of the book of Judges. Identifying how God is portrayed in this book will enlighten readers on how God is portrayed in the remaining sixty-five books of the Bible. Also, this study will attempt to determine the books theme, motifs, as well as the central theological message. The theological message of Judges revolves around a faithful God and a rebellious people. God, in His faithfulness as Divine Judge, willRead MoreMarketing Mistakes and Successes175322 Words   |  702 Pages1981, 1976 John Wiley Sons, Inc. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning or otherwise, except as permitted under Sections 107 or 108 of the 1976 United States Copyright Act, without either the prior written permission of the Publisher, or authorization through payment of the appropriate per-copy fee to the Copyright Clearance Center,Read MoreStephen P. Robbins Timothy A. Judge (2011) Organizational Behaviour 15th Edition New Jersey: Prentice Hall393164 Words   |  1573 Pages 2007, 2005 by Pearson Education, Inc., publishing as Prentice Hall. All rights reserved. Manufactured in the United States of America. This publication is protected by Copyright, and permission should be obtained from the publisher prior to any prohibited reproduction, storage in a retrieval system, or transmission in any form or by any means, electronic, mechanical, photocopying, recording, or likewise. To obtain permission(s) to use material from this work, please submit a written request to Pearson

Richard III Free Essays

Analysis of Richard III Passage Methoughts that I had broken from the Tower And was embarked to traverse to Burgundy, And in my company my brother Gloucester, Who from my cabin tempted me to walk Upon the hatches. Thence we looked toward England And cited up a 1000 fearful times, During the wars of York and Lancaster That had befall’n us. As we paced along Upon the dizzy terms of the hatches, Methought that Gloucester stumbled, and in falling Struck me, that thought to remain him, overboard Into the toppling surges of the chief. We will write a custom essay sample on Richard III or any similar topic only for you Order Now O Lord, methought what hurting it was to submerge, What awful noise of Waterss in my ears, What sights of ugly decease within my eyes. Methoughts I saw a 1000 fearful wracks, A thousand work forces that fishes gnawed upon, Wedges of gold, great ground tackles, tonss of pearl, Incomputable rocks, unappreciated gems, All scattered in the underside of the sea. Some ballad in dead work forces ‘s skulls, and in the holes Where eyes did one time inhabit, there were crept— As ’twere in contempt of eyes—reflecting treasures, That wooed the slimed underside of the deep And mocked the dead castanetss that lay scattered by. ( I: IV:9-33 ) Clarence ‘s prophetic dream sequence in Act I scene Four Begins and ends with premonition, as we see the slaying of Clarence and besides visualize the eerie and supernatural glance of an underworld beneath the ocean as we see Clarence distressingly drown. The transition begins with Richard and Clarence puting canvas to Burgundy, reminiscing on the horrors of the conflicts they had won and lost together throughout the war of the roses. As their ship begins to destabilize, Clarence is cast overboard after seeking to forestall Richard from falling. The text leads us to believe this is inadvertent despite logic stating us to instantly presume this was planned by Richard. As Clarence distressingly drowns, he begins to depict the dark, supernatural underbelly of the ocean. Multitudes of lost wealth and hoarded wealth are seen alongside decomposing cadavers and the liquors of 1000s of work forces, work forces whose deceases, it has been suggested, Clarence was partially responsible fo r as a consequence of the recent overthrow of the monarchy. Clarence ‘s dream sequence is laced with both dramatic linguistic communication and baleful boding throughout. An array of poetic devices and literary techniques are employed to successfully reenforce major issues and subjects of the drama as a whole within this transition. Numerous subjects are reinforced and introduced in this transition such as the apposition of earthly wealth and human mortality, the upseting trust that Clarence has for Richard, horror and calamity, and besides the motive of the dark and the supernatural. Furthermore if we read the transition from a modern position we can integrate a Freudian reading when analyzing what seems to be Clarence ‘s subconscious head. Whilst watching Richard III, the character of Richard is hard to side with nevertheless at the same clip there is a certain appeal and inventiveness about him that is difficult to dislike. There are cases throughout the drama which help to demo Richard as a antic linguist and a sympathetic Machiavellian hero. However, at the same clip the dramatic sarcasm used in the signifier of Clarence ‘s weakness and naivete is perchance the most powerful illustration throughout the full drama which shows the cold and evil inner nucleus of Richard ‘s character. When Clarence dreams of Richard killing him, the text seems to propose that Richard did this by accident as Clarence says that Richard â€Å"in falling, Struck me, that thought to remain him, overboard.† [ [ 1 ] ] The manner Clarence has made a point of stating how Richard merely pushed him â€Å"in falling† is interesting as it makes us oppugn the dependability of Clarence ‘s history. This dramatic sarcasm plants because from an audience ‘s position we are already cognizant of the dark nature and pitilessness of Richard, moreover we know that Richard is in the procedure of engineering the slaying of his brother Clarence. These factors make us oppugn the â€Å"accidental nature† of Clarence ‘s narrative despite it being a dream. Could this dream in fact be a message straight from Clarence ‘s subconscious trying to warn him of his impending decease? We could in fact read this transition as Shakespeare trying to show a sixteenth century equivalent to Freud ‘s construct of the subconscious head. The audience is now to the full anticipating the impending decease of Clarence, and the incapacitated audience is forced to sympathize with him and get down to contemn Richard. The experience of this scene could be summed up by a quotation mark from critic Charles Barber, who believes â€Å"Clarence ‘s incredulity in his ain dream creates the feeling that Rich ard ‘s immorality is excessively monstrous for those around him to accept or conceive of, and therefore it amplifies our horror of Richard.† [ [ 2 ] ] The antecedently mentioned construct of Shakespeare meaning to demo the workings of Clarence ‘s subconscious is besides fascinating as it demonstrates a sample of a theory that was non to go popularly recognised for 100s of old ages. This element adds deepness and verisimilitude to the drama and besides adds to our hatred for Richard. Freud describes the unconscious head as â€Å"a reservoir of feelings, ideas, impulses, and memories that are outside of our witting awareness.† [ [ 3 ] ] It would look that these feelings are more perceptive in some ways than Clarence ‘s witting 1s. Somehow Clarence ‘s unconscious has picked up more about Richard ‘s character than his witting head. This poses an interesting inquiry, even to a modern audience, about the antic complexness of our heads. An audience who embraces this reading is likely to happen this idea provoking and be intellectually stimulated by this construct. If we take this transition to intend that th at Clarence ‘s unconscious head is seeking to state him something, so we besides read that his witting head is disregarding it for non merely does he presume his dreamed decease was an accident, but he subsequently goes on to province how his brother â€Å"loves me dear† and says to the liquidators ( hired by Richard ) that â€Å"if you be hired for meed, travel back once more, And I will direct you to my brother Gloucester, Who shall honor you better for my life.† [ [ 4 ] ] Clarence ‘s refusal to move upon this portents and moreover disregard his ain ego is important in demoing the power and use Richard is capable of. When the audience listens to Clarence ‘s history of his dream, the transition should render as extremely important as it foreshadows many of the events yet to come in the drama. When Clarence begins to submerge this is in fact an eerie prefiguration of his eventual decease, and more specifically submerging minutes subsequently in the scene. One critic has besides read this dream as besides boding the nightmare Richard himself experiences prior to the conflict of Bosworth in Act V scene V. [ [ 4b ] ] There is much boding throughout the drama, such as when Queen Margaret, a enchantress like character, is introduced. Queen Margaret begins to state curst prognostications as a acrimonious effort to revenge all of those who have antecedently wronged her. It is besides interesting to observe that through this transition, Shakespeare has included a subject that was popular amongst Renaissance literature, whereby earthly wealth is shown in apposition with human mortality. [ [ 4c ] ] This was a common concern among authors of the clip as earthly wealth ‘s value was questioned in many ways because of the realization that we can non purchase â€Å"life† and wealth will intend nil in the hereafter. While absorbing the address, we notice that there are infinite images in this transition that barrage us with this subject. The lost hoarded wealths are described to a great extent and often such as the â€Å"wedges of gold, great ground tackles, tonss of pearl, incomputable rocks, and unappreciated jewels.† However it becomes clearer why Shakespeare has made a point of making this when we consider this subject of human mortality versus earthly wealth. When we so go on to see â€Å"Some [ gems ] ballad in dead work forces â⠂¬Ëœs skulls, and in the holes Where eyes did one time inhabit† decease and wealth are non merely in apposition, they are basically merged as one. The manner the gems have been incorporated into the oculus sockets of the skull makes the apposition even more dramatic as they about seem as one entity because of the manner we associate the gems as eyes slotting into the sockets of a skull. This transition is besides important in the manner it introduces the motive of the Gothic into the drama. Clarence ‘s dream sequence accompanied with the eerie cursing of Queen Margaret subsequently in the drama, are both scenes which contribute to the Gothic elements of this drama through mentions to the supernatural and the unknown, and minutes of horror. Horror as a literary term can be described as â€Å"The feeling of repugnance that normally occurs after something terrorization is seen, heard, or otherwise experienced.† [ [ 5 ] ] We see horror in the transition when Clarence describes in item the scenes of the underworld and the nature of his painful drowning. Clarence explains â€Å"what pain it was to submerge, What awful noise of Waterss in my ears, What sights of ugly decease within my eyes.† This dramatic address forces the audience to get down to see the submerging themselves as Clarence uses powerful imagery such as the H2O in his ears and the hurting that he experienced. Furthermore the grotesque and macabre images of â€Å"a thousand work forces that fishes gnawed upon† besides help to dismay the audience. Supernatural elements that besides contribute to the Gothic feel of the drama are seen in another subsequent prognostication manner dream of Clarence ‘s where he sees the shade of Prince Edward, a Lancastrian whom Clarence had helped to kill. Edward begins to cuss Clarence as liquors begin to drag him below to the underworld. After analyzing Clarence ‘s dream in Act I scene IV, it can be concluded that Shakespeare has employed a scope of literary techniques and thoughts that help to reenforce and present of import subjects that permeate the full drama. Techniques such as dramatic sarcasm encourages us to appreciate the immorality of Richard, and the inclusion of a subconscious aid add deepness and machination to the drama. Furthermore the transition is a utile penetration into the drama as a whole through the debut of other of import subjects and issues of the twenty-four hours such as horror, the supernatural, and the apposition of earthly wealth and human mortality. Bibliography Barber Charles, Notes on Richard III, ( London, Longman, 1999 ) Devendra, Varma The Gothic Flame, ( New York: Russell and Russell, 1966 ) Radcliffe, Ann On the Supernatural in Poetry, Exert taken from New Monthly Magazine vol.16 No.1 hypertext transfer protocol: //www.litgothic.com/Texts/radcliffe_sup.pdf [ 22.4.09 ] Shakespeare, William, Richard III, ( London, The Arden Shakespeare, 2006 ) Strachey, James ( Trans. ) , ed. Anna Freud, The Necessities of Psychoanalysis, ( London: Vintage Books, 2005. ) [ [ 1 ] ] William Shakespeare, Richard III, ( London, The Arden Shakespeare, 2006 ) I.IV.19-20 [ [ 2 ] ] Charles Barber, Notes on Richard III, ( London, Longman,1999 ) p.75 [ [ 3 ] ] James Strachey ( Trans. ) , ed. Anna Freud, The Necessities of Psychoanalysis, ‘the unconscious ‘ ( London: Vintage Books, 2005. ) p.46 [ [ 4 ] ] William Shakespeare, Richard III, ( London, The Arden Shakespeare, 2006 ) I.IV 217-218 p.183 [ [ 4b ] ] Barber Charles, Notes on Richard III, ( London, Longman, 1999 ) p.96 [ [ 4c ] ] Ibid. [ [ 5 ] ] Varma Devendra, The Gothic Flame, ( New York: Russell and Russell, 1966 ) p.17 How to cite Richard III, Essay examples

Robert De Niro Essay Example For Students

Robert De Niro Essay I found two different sections during the movie, that sum up what my main paper is going to be about. The civil rights movement during the 1960s, and Robert De Niro as an actor and as a director.  Throughout the entire movie, Calogeros friends all hate the black people that live on the other side of town. They hate their music, and the way they dress, and they dont want them coming through their neighborhood. In the beginning of the movie when Calogero and his two friends are sitting on his stoop, the bus comes by, and there is a black boy on the bus. Calogeros two friends run after the bus, harassing the boy. Throughout the movie Calogero is the only one out of all of his friends that stands up for the black people, and says that they arent bothering him or his friends, so his friends should leave them alone. In the middle of the movie, Calogeros friends are sitting outside in their social group, and a couple of black boys on bicycles ride by on the street. Calogeros friends grab the boys off of their bicycles and beat them up. The police come, and his friends run. Later that day, Calogero finds out that one of the boys that was beaten up was the brother of Jane; the girl that Calogero met on the bus. One of the final scenes in the movie shows the turbulence of the sixties, and what hatred went on between the races. Calogeros friends ride into the black part of town, and set fire to a store. As they ride away a black man throws a stick that is on fire into the car. The boys have a flammable substance in the car, and the car explodes, and all of Calogeros friends are killed. I like this scene because it shows what happens when a dislike for someone goes too far. Calogeros friends didnt like the black people because his friends were afraid they were going to take over the neighborhood. Their hate for these people went so far, that they wanted to kill them. Calogeros friends were looking at guns one day, and one of the boys picked up a gun saying Im gonna shoot someone one day. These boys were anxious to get these people out of the way, so they wouldnt have to worry about them invading their neighborhood. Romantic music is played as they walk down the street holding hands. The scene is very dark, with just the overhead street lights. Short dialogue, with no long speeches. Camera follows from the front of them, so they are walking towards the camera. Camera focuses on one person at a time as they speak. Jane reaches over to open car door in slow motion, when Calogero opens door for her, his shadow reflects on the car. Calogeros friends drive into neighborhood, shot comes from point of view of person driving car. All of sudden the music changes the James Brown. Music continues to play throughout the entire scene of store being shot at and torn up. Many cuts throughout the scene of various places being destroyed. Many sound effects of broken glass, and shattering windows. Bright colors contrasted against the dark night sky. Colors of fire, and bright Tiffanys lamps. As the fire comes into the car, there is slow motion. Continuous scene of guys on fire in the car, showing different angles, two shots of car exploding. Music changes, becomes very comber. Lights of police and ambulances fill the sky with colors of red and yellow. No structure of people, everyone together gathered in chaos. .ue5e66e5bbef5e4d2b870c681cde474ed , .ue5e66e5bbef5e4d2b870c681cde474ed .postImageUrl , .ue5e66e5bbef5e4d2b870c681cde474ed .centered-text-area { min-height: 80px; position: relative; } .ue5e66e5bbef5e4d2b870c681cde474ed , .ue5e66e5bbef5e4d2b870c681cde474ed:hover , .ue5e66e5bbef5e4d2b870c681cde474ed:visited , .ue5e66e5bbef5e4d2b870c681cde474ed:active { border:0!important; } .ue5e66e5bbef5e4d2b870c681cde474ed .clearfix:after { content: ""; display: table; clear: both; } .ue5e66e5bbef5e4d2b870c681cde474ed { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .ue5e66e5bbef5e4d2b870c681cde474ed:active , .ue5e66e5bbef5e4d2b870c681cde474ed:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .ue5e66e5bbef5e4d2b870c681cde474ed .centered-text-area { width: 100%; position: relative ; } .ue5e66e5bbef5e4d2b870c681cde474ed .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .ue5e66e5bbef5e4d2b870c681cde474ed .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .ue5e66e5bbef5e4d2b870c681cde474ed .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .ue5e66e5bbef5e4d2b870c681cde474ed:hover .ctaButton { background-color: #34495E!important; } .ue5e66e5bbef5e4d2b870c681cde474ed .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .ue5e66e5bbef5e4d2b870c681cde474ed .ue5e66e5bbef5e4d2b870c681cde474ed-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .ue5e66e5bbef5e4d2b870c681cde474ed:after { content: ""; display: block; clear: both; } READ: Movie Analysis - Fury EssayThe next scene I chose to do, is Lorenzo and Calogero on the bus. Calogero always used to ride the bus with his father, and this scene shows them going all the way to city island, which is the last stop. It shows them spending time together, and developes the father-son relationship even more.  It is filmed on location as you see, the water and the boardwalk in the back round.. Soft music is playing. Calogero is the narrator during the scene. When riding in the bus, you have the window to look out of, and at the same time you have the mirror, to see what is passing by too. Back round music, now becomes the baseball game on the radio. Shot of Lorenzo looking through mirror to see Sonny and his friends. Shot of Lorenzo and Johnny Whispers from overhead mirror on bus. Scene changes to nighttime, with Lorenzo and his wife on their terrace. Music plays softly, with the camera focusing on one person at a time. Shot goes inside house where you hear voices of people downstairs at funeral, and you see Calogero, but hear him as a narrator. Shot changes to Calogero in confession, shows gate between the priest and Calogero. The scene ends with Calogero running out of the Church, very happy that he got an easy punishment.